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Matthew’s life is devastated after the disappearance of his younger brother, Tom. Matthew’s father had left him to look after Tom and now Matthew feels responsible. His father is trying to hold back the anger and the blame but the cracks are beginning to show.One day Matthew is looking through a box of press clippings and video tapes about Tom’s disappearance. Suddenly he hears a ghostly voice on one of the video tapes telling him “you never came for me!”. It’s the voice of his missing brother. He shows the tape to his father, Jake. This time there’s no voice and Jake flies into a rage as the wound is reopened.Matthew tells his best friend Simon about the voices on the tape. Is he losing his mind, is Tom alive or dead?At home, Matthew plays the tape and hears Tom’s voice again, desperately pleading for help. Then Matthew sees Tom at the window, gaunt and haggard. He rushes out to Tom but no one is there…Matthew strikes up a friendship with next-door neighbour Amy, who is beautiful but troubled. He talks to her about Tom and she suggests he visits a local medium. Matthew is unsure but he is again haunted by nightmarish visions of Tom. When he tries to sleep he has recurring nightmares that he is being buried alive.In desperation he goes to visit Melissa, the medium, who tells him that the area has been cursed through the ages. Her daughter gives Matthew a present, the drawing of a young girl. The following day Matthew is shocked when he finds out that Simon’s sister, Sophie, has been abducted. Matthew realises that the drawing by the medium’s daughter is of Sophie.The hauntings escalate, Matthew’s state of mind deteriorates. Only Amy seems to believe him, as a tentative romance grows between them.Matthew knows that he needs to get to the bottom of Tom’s disappearance if he is ever going to save Sophie. There is no going back as he hurtles towards the stark, chilling truth…The Disappeared…you can’t bury the past.

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强烈推荐《坠楼死亡的剖析》。太牛逼了这个剧本，可能是近几年看过的片子里最牛逼的剧本了。感受到的都不是剧情线了，而是一个由生活经验、个人智慧、社会观察、以及哲思辩论浓缩出来的能量球。就这个思辨浓度之强，砸到身上都有点懵。这片子里一个五分钟吵架的片段，蕴含的编剧对亲密关系、个体选择、婚姻制度、社会价值观的反思深度，比打国产恋爱+家长里短电视剧加在一起还要深。那段吵架吵到一半我人都分神了，开始试图回忆这么sophisticated的吵架是否有先例。然后我意识到，在我目之所及，好像只有

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该剧是一部以打工社畜为主角的喜剧电影，讲述了一个原本平凡无奇的动物园，在一位充满奇思妙想的新任管理员手中，发生了一系列令人捧腹大笑的故事。这位管理员不仅拥有奇特的想象力，还拥有一颗强大的心脏，他决心要拯救这家即将破产的动物园，带领员工们一起完成一系列荒诞而又令人惊喜的营业计划。

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给《非诚勿扰》星，所以也给《年会》星，并不是因为年会更好看，是年会更符合当下，什么是当下，当下不是过来人有定义权，而是掌握在年轻人手里。从电影艺术角度，非肯定比年会高，但从商业角度和社会角度，就是年会更高，可以讲他幼稚，天真，但在目前的环境里，这种幼稚和天真就是可贵和难得，就是符合大家都现实的预期。这个电影也给我一点小启示，怎么样才不会被时代淘汰，就是要和年轻人在一起，学会去接受，理解和包容年轻人接触的世界，年轻人的想法，谁都会长大，变老，只有年轻人一直在。最后

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昨晚千里迢迢地跑到广州去看了困兽的点映，看完后大感不虚此行。这电影整体节奏进展很快，目不暇接之感。剪辑丝滑，很能带着观众进入影片氛围中。其中的感情戏呈现得真实细腻，尤其是钟汉良，吴镇宇，张兆辉，胡杏儿等诸位老戏骨的感情戏很能带动观众的情绪。众多配角的刻画也很是立体鲜明，许多都很能引得一般平凡人的共鸣。比如古斌饰演的杨奇这个角色，就是芸芸众生中众多平凡人的缩影。他出身平平，为了金钱为了权利也为了爱人即使扮小丑脸皮不要也拼命向上爬。他从灰暗的廊道中缓步而出瞬间、迎接他的是