残酷

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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这是一部非常搞笑又让人落泪的喜剧电影。前面笑的有多欢，后面哭的就有多惨?故事题材：这部电影从关爱弱势群体入手，讲述了篮球教练魏国铮用自己的力量带领着一直特殊的球队一点点进步，最终寻找到了打篮球的“真谛”。这是一个很新颖的题材，也让我们注意到身边“弱势群体”的存在，并且多去关心爱护弱势群体。?演员表现：魏翔和王智作为本片主演，演技真的值得夸奖。魏翔的演技真的让人惊艳！他真的把魏教练这个人物演活了，作为一个喜剧人员，也让这不影片更有感染力。包括心青年在影片中的表现

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又一部要主动退出春节贺岁档的电影，于是赶在下画前去看了，但很失望，此片冗长而无趣，啰嗦又无聊，混乱又拧巴[发呆]人呢，上了年纪后就很喜欢说教，不能说这不好，更不是错误，但老人渣看待新鲜事物都不顺眼的，都喜欢较真儿，都固执执拗，都回忆从前。成龙就执拗地拍过一部龙马精神，结果拍得很拧巴，此片亦然[偷笑]宁浩和刘华费了半天劲，都没有讲清一个基本合理的故事，说是从娱乐圈中借鉴了几百个桥段，可是拼凑起来只造就了一个并不好笑的谐音梗[尴尬]片中刘伟驰这个角色一会儿非常巨星风范一会儿又很煞茶

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这首歌曲讲述了一个故事，其中两个男子计划抢劫，但他们却意外被另一个匪徒搅局。这部电影的故事情节非常紧凑，让人们屏息凝神。

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该剧是一部充满情感和家庭元素的剧作，它通过讲述李博宇、潘雁秋和李妍三人在阿勒泰的冒险过程中，展现了家庭的力量以及人们在困境中如何彼此扶持、共同成长。面对伤痛，阿勒泰之夏给观众提出了一个问题：我们是否能够在伤痛中放下悔与执，学会爱与勇敢，去迎接新的生活？